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Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music)
Jeremy Day-O'Connell你有多喜欢这本书?
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A generously illustrated examination of pentatonic ("black-key scale") techniques in the context of eighteenth- and nineteenth-century Western art-music. Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music. Pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvorák. This book weaves together historical commentary with music theory and analysis in order to explain the sources and significance of an important, but hitherto only casually understood, phenomenon. The book introduces several distinct categories of pentatonicpractice -- pastoral, primitive, exotic, religious, and coloristic -- and examines pentatonicism in relationship to changes in the melodic and harmonic sensibility of the time. The text concludes with an additional appendix of over 400 examples, an unprecedented resource demonstrating the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin, and Berlioz to Liszt, Wagner, and Mahler) handled theseemingly "simple" materials of pentatonicism. Jeremy Day-O'Connell is assistant professor of music at Knox College.
种类:
年:
2007
出版:
1
出版社:
University of Rochester Press
语言:
english
页:
566
ISBN 10:
1580466907
ISBN 13:
9781580466905
系列:
astman Studies in Music
文件:
PDF, 26.87 MB
您的标签:
IPFS:
CID , CID Blake2b
english, 2007
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